◉ Uncollected

For independent artists

You released the song.
Now collect the money.

One release can pay you 7 ways. Most independent artists collect 1 or 2.

Question 1 of 7 — start here

Are you collecting performance royalties every time your songs are publicly played — on radio, TV, in venues, and on streaming?

7 questions · ~60 seconds · free, no signup · answers stay in your browser

Show me everything I’m missing — see all 7 →

Seven separate income streams — each collected somewhere different

A single play can pay you on multiple sides at once. Almost all of these are free to claim — nothing secret, nothing paywalled. The reason artists don’t get paid is that almost nobody sets them up correctly. Doing it right — the publisher entity, the splits, the metadata, the order — is the whole game.

  • Performance royalties — when your song is played
  • Publishing royalties — the publisher's share (~half, usually missed)
  • Mechanical royalties — reproduction of the composition
  • Digital performance royalties — your master on digital radio
  • Video platform royalties — every video using your music
  • Neighboring rights — international master performance
  • Sync licensing — TV, film, ads, games
Which ones are you missing? Take the audit →

What’s inside

Real facts or nothing

A confidently-wrong fee or deadline costs artists real money. So every claim here is tagged with how solid it is:

✓ verified

Structural fact that doesn’t change.

⟳ verify current

True but drifts — fees, deadlines, rates. Confirm at the source.

⚠ UNVERIFIED

Flagged for confirmation before you rely on it.